intellectica 2008/1-2, n° 48-49

Music and Cognition

Anne Sedes

CONTENTS

Anne Sedes: Introduction

Emmanuel Bigand, Charles Delbé: Implicit Learning in Music: Theory and Models [Abstract]

Barbara Tillmann, Bénédicte Poulin-Charronnat: Investigating Musical Expectations of Non-musician Listeners: The Musical Priming Paradigm [Abstract]

Emmanuel Bigand, Suzanne Filipic: Emotion and Musical Cognition [Abstract]

Mondher Ayari: Performance and Musical Perception Analysis [Abstract]

Aurélie Helmlinguer: Trinidad and Tobago Steelbands: Cognitive Ethnomusicogy of an Orchestral Memory [Abstract]

Philippe Lalitte: Conditions of Possibility of a Perceived Formal Rhetoric [Abstract]

André Villa: Questions about the Process of Musical Surface Segmentation in the Perception of Contemporary and Electroacoustics Musics [Abstract]

Horacio Vaggione: Music Composition : Representations, Granularities, Emergences [Abstract]

Nicolas Donin, Jacques Theureau: Compositional Activity as Explanation and Construction of Situations. A Cognitive Anthropological Approach to the Composition of a Musical Work by Philippe Leroux [Abstract]

Makis Solomos: The “Mental Compositions used in Composition” (Xenakis) [Abstract]

Agostino di Scipio: Emergence of Sound, Sound of Emergence [Abstract]